1,327 Royalty-Free Audio Tracks for "A Chord"

Mystic chord Acorde místico

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

Diatonic mediant/submediant chord progression: i VI i (submediant, in minor).

Barbershop bell chord. Pitch bend matches just intervals.

Diatonic mediant/submediant chord progression: I iii I (mediant, in major).

Shave and a Haircut in G with chords. Triplet swing.

A C chord on a drawbar organ.

Long and atmospheric chord sweep effect creating using a soft synth. It is played as a d# major triad at 125 bpm.

Analoge string. Tools: jd800.

Choris effect, simple chord moderate strumming.

iv IV I V chord progression.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Different minor 9th (neo-soul) chords, inverted. E-piano.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.

Deep techno chord 120bpm, made in logic x.

Clicky organ chords.

C chord progression in 7/4 time at 150 bpm.

Last chord of Anger's Tintamarre (The Clangor of Bells) (1911).

Chord synth sound created on the voltage modular plug-in.

Chord stab made in fl studio.

Two dark-sounding, organ-like synth chords.

Here is a simple chord progression (d dorian) from a synth designed in reason´s europa.

Neapolitan sixth in C minor.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Dominant thirteenth: four-voice version.

120 bpm midi synth chords in e-minor, 8 measures and loop-able.

Chord stab useful for any trippy tunes.

A vocal chord with crescendo and diminuendo ending with some pan flute recorded in big concert hall with olympus ls 11.

Gutar chord recorded in the audio line with tremolo handle. Reverb effect was added. Electric guitar washburn ps 7200.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Werckmeister temperament major chord on C.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Short electronic piano chord with effect of explosion.

Electric guitar band filtered samples remix.

Iidim6 chord in C.

Some punches and touches on piano.

A chord processed, sounds like a guitar, high pitched.

viio7 in G major, on the guitar.

Water glasses tuned to complete the chord structure of i v7 i in c major.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.